The waveform and the spectrum tell you when you actually started saying the syllable. The power tells you how loud you said the syllable. As you can see, it’s measured in decibels. The f0 tells you the pitch of the recording. Of course, for a good recording, you’d want to make sure that your power and your f0 are consistent throughout all of the recordings. It doesn’t hurt that much if they aren’t exactly the same, since UTAU deals with such issues pretty well, but if you want a high quality voice bank, you’d probably want to keep these in mind.Īfter you finish recording a syllable, press the “ up” or “ down” keys (on the keyboard) to move on to the next syllable. Whenever you do this after recording a sound, OREMO automatically saves the recordings into. wav files in the folder you specified earlier. This is one thing that makes OREMO so much more convenient to use than Audacity. In Audacity you have to manually save every recording to the appropriate.
In OREMO, you don’t need to worry about this. OREMO will replace your old recording file with the new one.Īnd it’s okay if you have to re-record something after OREMO already saves it. Now go through and record all the syllables. Try to pronounce the Japanese syllables as closely to the language as you can (don’t butcher it terribly). Japanese “r” sounds are a bit difficult to do I’d recommend listening to the syllable in question on YouTube.īreath sounds are a bit tricky, but the biggest piece of advice I have would be to try not to exaggerate it. It sounds really strained if you do, and everyone can tell. I’d also advise not recording it too softly. If you do, UTAU could sometimes have a hard time finding it, and might filter it out like other background noise. * NOTE: If you want a super flexible voicebank, you can also record different pitches. This can be done by clicking theĪctual “up arrow” and “down arrow” on the side.
If the voicebank comprises of entirely new and fresh voice samples, they are treated as regular UTAU Voicebanks, regardless if it came from the character author or another voice donor.Īttempt to contact the voicebank author first before producing such voicebanks- some may not permit you to do it without their approval, while others may be openly lenient, or in fact, may even encourage you to do it. UTAU Voicebank Derivatives refer to such UTAUloids that are spun off from existing voicebanks, reusing existing voice samples and adjusting them so that they produce the desired voice type from the start, regardless if it was done by the voicebank author or fans. When a voicebank's variation is frequently used that no one can be bothered applying gender factors for every note, the answer is to spin off the voicebank into a completely independent file. Remember to check what links here and the the page history before deleting. If you disagree with its deletion, please explain why at this talk page or improve the page and remove the tag. This article is a candidate for deletion because Replaced with Category:Derivative characters